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8 Jewelry Trends That Are Surging in L.A. Right Now

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Just like many of you took a break from wearing makeup during the last year and a half, I took a hiatus from wearing jewelry. I just didn’t see the point in busting out my favorite rings, earrings, and necklaces when I’m working from home and nobody could see them, and they felt too fussy to wear with my WFH sweatpants. Now, however, I’m ready to rekindle my love for jewelry as a fun, mood-enhancing accessory that always feels so personal. 

Below, I rounded up 7 jewelry trends I’ve been spotting in Los Angeles specifically, although these pieces can truly be worn anywhere in the world. Some trends are more maximalist while others will appeal to more subtle dressers, but I guarantee you’ll fin something you love. 



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AAPI Designers Bringing Traditional Design to Modern Fashion

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Tell me a bit about yourself and your brand. How did you get into fashion design, and what were some of your initial points of inspiration? 

Growing up, I loved shopping for fabrics during our family trips to India and was fascinated by the process of custom garment-making—choosing a fabric and silhouette and taking it to the tailor, the embroiderer, etc. I studied visual art in college and often incorporated fabric, hand-embroidery, and beading in my paintings, which led me into studying textile design. Learning how to weave, spin fiber into yarn, dye fabric, and even create homemade natural dyes later served as a basis for all of the custom textile development work I do now for my line. My heritage, the several different forms of traditional Indian dress, and the ways in which I saw people wearing bright, saturated color and embellishment back home were always something that really inspired me as a designer and as an artist. An obsession with color is something that unites my design work and visual art as well.

How does your Indian heritage play a role in your design process and inspiration? 

I started Abacaxi because I wanted to work with so many different traditional Indian handmade and handloom textile techniques—many of which are at risk of disappearing—[and bring them] into contemporary fashion and our everyday. I was always fascinated by the breadth of different embroideries, types of weaves, and intricate forms of beading that were possible in India, and it remains one of the main points of inspiration in my work today. There are so many regional and local heritage processes that I want to explore. Even after designing several collections over the years now, I feel I am just getting started and scratching the surface. The kaleidoscope of possibilities there is so rich.

What traditional Indian practices and techniques do you put to use when producing your collections for Abacaxi? 

I have designed with handloom woven fabrics such as ikat (when the warp or vertical threads are resist-dyed) and mashru (a beautiful type of weave from Gujarat where shiny silk shows on the face of the fabric while cotton grazes the skin on the inside). This season in my Stingray collection, which is available now for spring/summer 2022, I worked with skilled handloom weavers in Tamil Nadu, India, to create a custom yarn-dyed plaid with four different plant-dyed yarn colors and small stripes of rainbow Lurex. The result turned out brilliantly. It is a color-block design with a very wide warp without a repeated stripe on the warp. I intentionally designed it with overlays so you get to see several different shades of color with just four yarn colors. I actually just visited the weavers there this last month, and they told me it was the most difficult design they’ve ever had to execute.

Some of the traditional embroideries I’ve been working with are shisha (mirror work), phulkari (silk floss thread embroidery from Punjab), ari work, eyelet embroidery, and zari. Tie-dye techniques are another big one. I recently just launched a new website for Abacaxi, and now, you can explore each of these techniques, see videos and photos of the processes, meet the makers, and even shop by textile technique or by collection concept. 

Another traditional Indian practice which I’m now proud to say we are working with is actually the ancient way of cotton farming, also known as regenerative cotton farming, through a partnership with Oshadi. Our future cotton fabric productions will use this farmed fiber, and we are also incorporating more and more natural dyeing processes from India.

How did you learn about these practices and techniques? 

I didn’t have formal training in any of the Indian textile techniques, but I have realized that I learned a lot from my mom and other family members. I think the knowledge of textiles was passed down to me. My mom was always very particular about the type of fabric she would wear, and when we had traditional outfits made for weddings in India, I learned about some of the different types of embellishments. Then, because of my passion and interest in the topic, I did a lot of research on my own. I’m grateful to have been able to travel not just around parts of India but to several different places around the world now researching artisanal textiles.

What does it mean to you to be able to bring these traditional Indian practices and designs to new audiences with your work? 

It’s very meaningful to me and obviously quite meaningful and valuable to the makers—the weavers, artisans, cutters, sewers, and all of the people behind our productions in India. The work has a strong impact, and when you purchase one of our pieces, you’re not just getting a quality, handmade garment, but [you] are also supporting makers who are continuing an ancestral tradition. Every transaction has meaning by giving value to the work.

What are some ways that you modernize more traditional practices when incorporating them into Abacaxi collections?

One example is my use of shisha work or mirror work. This is an embroidery technique using small, usually round mirrors that are embedded into the embroidery, traditionally from Rajasthan and Gujarat. Oftentimes, you’ll see shisha in wall hangings or on very typical tunics or kurtas. My take on it was to do it on a rib-knit jersey fabric, and I added hand-beaded fringe for a 3D effect. I have a shisha knit shrug set, dresses with a line of mirrors down the front, and now a shisha pouch purse. I think to see this technique on a stretchy knit instead of a stiff cotton is one way to sort of modernize it or bring it into more everyday contemporary wear. 

Another great example is the Stingray color-block custom weave I spoke about. Yarn-dye plaids and striped cottons are very typical of South India— madras plaids are probably the most widely known example—but my take on it was to create a wide color-blocked warp design that is totally different on one end than on the other, thus bringing this traditional handloom technique into another level from a graphic and a design perspective. 

Oftentimes, in my design process, I start with the techniques and fabrics I want to use, and the inspiration or concept for the collection comes through, and I’m designing the textiles and putting together the palette and sketches. So the techniques themselves are often the basis for the inspiration.



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34 Zara, H&M, and & Other Stories Pieces You Need to Know

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As a busy fashion editor, I need my wardrobe stocked at all times with the best of the best. This leads me to lean heavily on my consistent scrolls of the new-arrivals sections of my favorite retail sites. The things I’ve seen lately have been too good not to share, so buckle up—you’re in for a ride.

My summer wardrobe will have two distinct personalities, and below, you’re going to see a mashup of both. The first will be the clean-girl aesthetic that’s currently trending on TikTok. It’ll be a substantial collection of wardrobe staples styled to their maximum potential. The second persona in my wardrobe will be an aesthetic based on the bright and colorful runway collections I’ve been seeing lately. All of the shopping required to fit the bill for my double life is being presented to you today, so join me in drooling over these pieces.



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The Princesscore Aesthetic Is on My Mind, so I Dressed as a Princess for the Day

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I’ll admit I’ve always wanted to be a princess. As a little girl, I was all about the classic Disney princess (especially Belle from Beauty and the Beast). Something about the fantasy, romance, and whimsical fairytale vibes has just always captured a special place in my heart. My mother and father used to have to sit in costume stores for hours while I would try on princess dresses, put on my plastic version of glass slippers, and twirl around the store pretending like I was a character from one of my favorite princess storybooks. As I’ve grown older, of course, my love for all things princesses has slightly subsided.

However, it seems that our interest in all things Meghan Markle and the royal family—and I could never leave out the Bridgerton effect—has reignited many of our desires to add dainty princess elements to our wardrobes, cultivating an aesthetic called princesscore. I’ve seen sprinkles of princesscore everywhere from the runways to street style trends. Whether you’re looking for over-the-top glamorous princesscore vibes with opera gloves, romantic ruffles, clear heels that look Cinderella-like, and luxe fabrics with corseting or you’re more into the vibes of a woodland princess with floral patterns, puff sleeves, and dainty lace detailing, this trend is now easier than ever to incorporate into your style. 

While searching for the perfect pretty princesscore pieces, I came across 30 that I absolutely adore, but I couldn’t stop there. Since once a wannabe princess, always a wannabe princess, I decided to take things into my own hands, embrace all things princesscore, and dress like a princess all around New York City. 

Keep scrolling to shop the princesscore items that I’m absolutely obsessed with and what a day in the life dressed as a New York City princess looks like.

When it comes to princesscore vibes, a corset is at the top of the list. 

The perfect princess-y dress for a wedding. 

Obsessed with the little ties and cutouts on this dress. 

The bustier detail on this dress just screams princess. 

This satin dress is a major moment.  

I feel like I’m straight out of a fairytale when wearing this dress. 

For the princess who likes to pair her corsets with denim. 

A dainty floral midi with pockets? I’m obsessed. 

A gown truly fit for a princess. 

Wow, I think I’m in love. 

This minidress is giving major princess vibes.

For those of us who prefer a headband to a crown. 

Not your average headband. 

How sweet is this satin headband?

Sometimes you need a good sleeve-and-bow set. 

The most glam silk opera gloves I’ve seen in a while. 

A princess version of the little black dress. 

This look is a show stopper. 

Hello, lover. 

A lovely little lace moment. 

For the princess that’s a little more daring. 

Even princesses need a good black going-out top. 

The ultimate lace-up corset. 

For the simple yet elevated princess. 

Go big or go home. 

It really doesn’t get more royal than this. 

How darling is this bow?

Someone call Cinderella. 

No debate, these are princess shoes for sure. 

For the princess who likes to party. 

Next, check out these shopping guides



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