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Now you’ve met The London Boys, things seem good again” & “New York’s A Go-Go” As the David Bowie Estate launches Bowie 75, a year-long celebration marking David Bowie’s 75th birthday, with the openings of two curated experiential pop-up shops – one at the site of the earliest confirmed Ziggy Stardust sighting, and one in the adopted hometown where Bowie’s final album ★ (pronounced “Blackstar”) was created.

For a very limited window previewing October 25, 2021, 75 days before the anniversary, through late January 2022, the Bowie 75 locations will be up and running at 14 Heddon Street – the London location where the cover of The Rise and Fall of Ziggy Stardust and the Spiders from Mars was shot and 150 Wooster Street — steps away from Bowie’s long-time downtown New York City neighbourhood.

The pop-ups will offer visitors a unique and immersive career-spanning deep dive into the sound and vision of David Bowie, with features including:

Immersive audio and HD video screening rooms in partnership with 360 Reality Audio, an immersive music experience using Sony’s spatial sound technologies.  With music in 360 Reality Audio, fans will be able to hear and see Bowie content available for the first time in immersive audio, exclusively in the Bowie 75 locations.

  • Hours of video content including previously unseen behind-the-scenes material, rare footage from the Heathen and Reality eras, and more.
  • Opportunities to purchase limited edition releases of exclusive Bowie apparel and collectibles, as well as limited run LPs and CDs from both the Warner/Parlophone Records and Sony catalogues.
  • Exclusive fine art photography including gallery installations documenting Bowie’s many iconic eras, personae, and Ch-changes.
  • Intimate special guest events to be announced.
  • Fans can place themselves in iconic costumes and set pieces to create fun and shareable social media moments.
  • And more— For store hours, events calendars and other announcements and information, sign up and stay tuned to

Laura Thursfield, Customer Partnership Manager at The Crown Estate, said:

“We want our spaces to be engaging and exciting, bringing new concepts and brands which complement the destination and give people new reasons to come to London’s West End. This pop up is not only an opportunity to build on Heddon Street’s history, as the location of the album cover shoot for ‘The Rise and Fall of Ziggy Stardust and the Spiders from Mars’, but a really interactive, creative approach to retail.”

LONDON – 14 HEDDON STREET – Open Monday to Saturday 11am – 8pm, Sunday 12pm to 6pm. 

NEW YORK CITY – 150 WOOSTER STREET – Open seven days 11am – 7pm

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Pop Music

J Balvin ‘Perra’ Music Video Taken Down After Racism Criticism




J Balvin issued an apology after the controversial music video for his song “Perra” — a collaboration with Dominican musician Tokischa — was taken off YouTube amidst claims that it was racist and sexist.

The song appeared on Balvin’s album José. It features lyrics where Tokischa refers to herself as a “female dog in heat” looking for “a dog to hit it,” according to Billboard.

In the music video, the Colombian singer walks two Black women on leashes, and a group of Black people are dressed like dogs. Tokischa herself delivers some of her lines from a doghouse and later licks Balvin’s cheek while on her hands and knees.

Criticism for the visual rolled in. Colombian Vice President Marta Lucía Ramírez published an open letter alongside Gheidy Gallo Santos, Presidential Council for the Equality of Women. The pair condemned the song and video for featuring “direct and openly sexist, racist, machista, and misogynistic expressions that violate the rights of women, comparing them to an animal that must be dominated and mistreated,” according to Rolling Stone.

The publication noted that even Balvin’s mother did not seem to be a fan of the release.

The video was removed from Balvin’s YouTube account earlier this month, and the singer took to his Instagram story to explain why and apologize over the weekend.

“I want to say sorry to whomever felt offended, especially to the Black community,” the hit-maker said. “That’s not who I am. I’m about tolerance, love and inclusivity. I also like to support new artists, in this case Tokischa, a woman who supports her people, her community and also empowers women.”

He added that he removed the video “as a form of respect.” Previously it was unclear if the removal was Balvin’s choice or if YouTube pulled it, according to Billboard.

Balvin also publicly apologized to his mother. “Mom, I’m sorry too,” he said. “Life gets better each day. Thank you for listening to me.”

While the “Perra” music video was removed from YouTube, an audio version is still available on the platform.

Tokischa opened up about the song and music video in an interview with Rolling Stone. She explained the song’s sexual inception (the idea came to her while she was having sex), and that the visual was a way to build out the lyrical allusions.

“It was very conceptual. If you, as a creative, have a song that’s talking about dogs, you’re going to create that world,” she said.

While she apologized for the way that the visuals were perceived, she appeared to stand by the artistic decisions. “I understand the interpretation people had and I’m truly sorry that people felt offended,” Tokischa added. “But at the same time, art is expression. It’s creating a world.”

Tokischa told Rolling Stone that she was not involved in the decision to pull the “Perra” video. She also said that she’d been in touch with Balvin and implied that she felt some responsibility for the controversy.

“He came here to record with me and to share his platform with me,” she said. “Now I’m like ‘what did I get Jose in?'”

Raymi Paulus, the video’s director, also told Rolling Stone that the video “never aimed to promote racism or misogyny.” He also stated that he believed the video was “taken out of context.”

Controversial Pop Songs That Faced Backlash

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Pretty Embers – ‘It’s Not The Same’ – Essentially Pop




When your band is deemed the “Death Cab For Cutie Of The South”, you immediately give listeners new and old an idea of what to expect. But the Birmingham Alabama natives, comprising lifelong friends Kameron Mitchell, Mason Thomas, and Ethan Standard,  and their new single, ‘It’ Not The Same’, from their album, ‘Under’, show that they bring a whole lot more to the table.

Now based in Nashville, the indie/alternative rock trio have spent most of 2020 – before and during the quarantine – writing and recording ‘Under’, their debut album. The three have a vast range of musical influences, including Bon Iver, Paul McCartney, Tyler the Creator, Death Cab For Cutie, Andy Shauf, From Indian Lakes, D’Angelo, and Radiohead, and all of this combines to give the group a unique sound.

“It was incredible just figuring things out.” Ethan explains. “This was a brand new experience in the way that we went about building out and recording these 10 songs. It was a very organic, explorative, experimental time for us and I think that brought out a sense of vulnerability and honesty that wouldn’t have occurred otherwise.” “I think we all matured,” adds Mason. “We really learned how sacred the process is and the value of taking the creation and artistry to a place of focus and sanctity.”

‘It’s Not The Same’ scrapes against the heartstrings with its jangly, fuzzy guitars, and the vocals are grungey and melancholy, giving the tune a sadness, which is yet not overwhelming; listened through headphones the music is multi-layered and evocative, enticing the listener to explore each layer separately. The drums tie the piece together with their thunderous rhythms, while at the same time being allowed to have their own stand-out time. The guitars are mellow and harmonious, exemplifying the talent of the musicians. There’s a surprise element at the very end of the song, but I won’t give it away, you’ll have to listen to it yourself.

‘It’s Not The Same’ tells the story we’ve all felt, and especially during this Pandemic, of a certain numbness, and not quite knowing how we should feel. In the end we all settle back into the realisation that somethings have changed irrevocably; with all change it’s hard to accept, but eventually we settle down and learn to live with it.

Speaking of the song, Kameron says,

“Not being able to let it go even when you thought you could,” says Kameron, “feels like sinking back to the place you thought you finally escaped from.”

‘It’s Not The Same’ is out October 29.

Find out more about Pretty Embers and their music online on Instagram, Facebook, and Twitter.

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Queera Nightly – ‘Pillow Talk’ – Essentially Pop




Late last year Bay Area musician Queera Nightly released her album, ‘The Girl Who Fell‘. Now she returns with the follow up, ‘The Girl Who Fell Pt. 2’. The new album features the sultry single, ‘Pillow Talk’, which is out now.

Queera Nightly’s sound is sexy and sultry; her gravelly and drawly voice has the sound of someone who is slightly tired of life yet at the same time, they’re holding on for that one last adventure. The late 50s/early 60s style guitar conjures up visions of those old movies set in the days of endless summers. Think Elvis, Cliff Richard, even Gidget. Queera Nightly is a world-weary Sandra Dee, holding out for a white picket fence with Troy Donohue, but knowing deep down that he’s just all talk and is never going to stay the distance.

Speaking of her new album, Queera Nightly says,

“These songs are personal for me, reflections of a moment on my life when I was lost. It was me who was chasing her, her freedom and softness and expression. And when we finally met eyes, it was as though we had never been apart. Heaven and Hell. Love and Violence.”

‘The Girl Who Fell Pt. 2’ is out now. Stream and download on Bandcamp. Find out more about Queera Nightly and her music online on Instagram, Facebook, Twitter, and her official website.

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