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Nathan Diniz Releases Video For Latest Single ‘Esa Boquita’ – Essentially Pop



Spain-based Brazilian born singer songwriter and musician Nathan Diniz has released his new single, ‘Esa Boquita’. Written alongside his producer Jos Ceda, the Latin Pop track is both playful and sensual, with each writer adding their own flavour.

Nathan Diniz got into making music back in 2017, and, inspired by artists in Brazil, released an EP, recorded entirely in Portuguese.

Following a short time in the hotel industry, where he met his producer and friend, Jos Ceda, Nathan Dimiz now returns with a confident new sound, and a new EP, which is set for release in the upcoming months. ‘Esa Boquita’ is the first single from the new project.

‘Esa Boquita’, which translates into English as “that little mouth”, has an upbeat, fun vibe, accompanied by an equally perky music video. ‘Esa Boquita’ is sure to bring a smile to your face, no matter the size of your mouth!

You can watch the music video for ‘Esa Boquita’ below, and stream and download the single here. Find out more about Nathan Diniz and his music by following him online on Facebook, InstagramSpotify, Apple Music, and YouTube.

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Beyonce unveils Stunning ‘Renaissance’ Album Cover



Beyonce isn’t horsing around when it comes to her new album, Renaissance.

Taking to Instagram on June 30, the “Single Ladies” songstress unveiled the whimsical cover art for what’s certainly one of the most highly anticipated albums of all time, and penned a tribute to the events that led to its creation.

Set against a completely black backdrop, the Renaissance cover features a mostly bare Bey with long blonde hair, saddled on a glowing silver horse. She’s positioned so that the top half of her body faces forward as she stares down the camera. Many were even quick to point out that she possibly hinted at the album’s cover during a photo shoot she did for British Vogue.

To caption the striking post, she gave more details about the making of the July 29-slated album than she has to date. The caption reads:

“Creating this album allowed me a place to dream and to find escape during a scary time for the world. It allowed me to feel free and adventurous in a time when little else was moving.”

“My intention was to create a safe place, a place without judgment. A place to be free of perfectionism and overthinking. A place to scream, release, feel freedom. It was a beautiful journey of exploration.”

She then concluded the message to fans by saying that he hopes they “find joy in this music” and that she hopes it “inspires you to release the wiggle” as well as “feel as unique, strong, and sexy as you are.”

Renaissance is Beyonce’s first proper studio album since the release of her 2016 album, Lemonade. As of reporting, only one song has been released from the project, the infectious “Break My Soul.”

Barrier-Breaking Women in Music


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Why Dance Music Is Popular During Recessions



With “Break My Soul” and Honestly, Nevermind, global superstars Beyoncé and Drake are raising pandemic-belabored spirits and inspiring a return to the dance floor. Meanwhile, the Black Eyed Peas are gearing up to drop another album; they kick-started their comeback era by collaborating with Shakira and David Guetta.

Considering the needle is moving toward house and dance music again, some are starting to wonder if the musical climate in 2022 is alluding to an impending economic recession.

After all, high-octane bangers from the likes of BEP, Lady Gaga, Flo Rida and Beyoncé dominated the Billboard Hot 100 year-end chart when we were in the midst of the Great Recession in 2009.

Lil Wayne even explicitly referenced the economy taking a hit (“And honestly, I’m down like the economy…”) on his verse on Jay Sean’s inescapable club anthem “Down.” The track wound up closing out the Top 20 on the year-end chart.

Vox notes that escapism plays an important role in pop music. A popular song can distract us from what is going on in reality and transport us to a place where our worries fade away.

Guetta and Akon’s “Sexy Chick,” Cascada’s “Evacuate the Dancefloor” and Guetta and Kelly Rowland’s “When Love Takes Over” — all serotonin-boosting, carefree club songs that promote escapism — claimed the top spot on Billboard‘s Hot Dance Airplay chart at some point during the same year.

Eventually, songs such as Lorde’s “Royals” pointed out the inequalities that were heavily emphasized by the recession following economic resurgence. The icy track came out in 2013, marking a darker, more mellow sonic shift for pop in the process.

In the depths of the last recession, however, Afterglow notes that many artists released songs that spoke to a relatable struggle. However, pop’s brightest shining stars delivered the distractions.

Gaga demanded that we “Just Dance” the night away on her smash, music landscape-shifting debut. BEP dropped “I Gotta Feeling” and decreed that “tonight’s gonna be a good night.” Bey settled for nothing less than a diamond ring on “Single Ladies (Put a Ring on It).” Jamie Foxx and T-Pain turned to Henny, Goose and ‘Tron on their booze-addled “Blame It.”

The times were tough, but the radio and the clubs suggested otherwise.

A similar trend occurred during the Great Depression nearly 100 years ago. Hollywood’s movie industry didn’t seem to take a hit. According to NPR, around 80 million people filled movie theater seats at least once a week during a time when budgets were tight.

Music provided similar opportunities for escape. Song titles such as “Life is Just a Bowl of Cherries” would seem to be at odds with the times. Vox notes another popular song of the era was called “Pennies From Heaven.” A Spotify playlist that references the era contains “Tin Pan Alley ‘cheer up’ ditties” alongside “hard times blues.”

While the music wasn’t all about having fun, Living History Farm points out that dance floor-friendly genres such as jazz and swing music had a big moment during the late 1920s and 1930s. Years before the Great Recession of the aughts, people turned to dancing when they needed a break from reality.

Now in 2022, people are looking at the flailing economy and current musical releases that throw it back to the early aughts. They’re wondering if what’s popular on the radio is a sign to batten down the hatches and prepare for another recession.

The Washington Post reported on the risk of a recession in 2023 earlier this year. The New York Post noted an expert claimed the U.S. was already in a “soft recession,” while the Deccan Herald alluded to the possibility of avoiding a devastating financial crash.

Now, people on social media are looking to the hits of today for evidence of what to expect. The mood isn’t altogether bleak, though. Our finances might come crashing down around us, but at least the music will slap.

“House/dance music is always popular when the recession is BIG and NASTY,” someone posted earlier this month in a viral tweet that spoke to the masses. It was liked nearly 125,000 times. Meanwhile, a thread on Reddit warned of a recession thanks to the racing beats that are defining popular tracks.

That was the mentality one TikTok user displayed in a viral video they made soundtracked by Flo Rida and Guetta’s soaring 2010 anthem “Club Can’t Handle Me.”

“I know everyone’s worried about the recession or whatever but i personally am very excited for the return of this specific genre of club music,” they wrote over the clip. “The type of music that they only made when the economy was in absolute shambles. Nothing hits like the bangers that were produced when the market was tanking.”

So is Queen Bey’s house banger “Break My Soul” — which comfortably debuted within the Top 20 on the Hot 100, according to Billboard — “an anthem for the Great Resignation,” as CNN hints?

Or is it a warning sign for economic catastrophe looming just around the bend?

We can’t say for sure just yet — but at least the beats will be fat, even if our wallets aren’t.

Songs That Dominated the Billboard Charts

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DARK CABARET – New York’s London Plane Land Goth-Tinged Sophomore Album ‘Bright Black’



Dark passions, personal grief and the rise of right-wing populism provide the fuel for Black Bright, the new release by goth/post-punk rockers London Plane.

The follow up to 2018’s New York Howl sees the six-piece traversing some very black territory, leavened by sardonic humour and sparkling musical arrangements.

Led by vocalist and guitarist David Mosey – a kind of amalgam of Iggy Pop, Lux Interior and The Psychedelic FursRichard Butler – this six-piece collective of Big Apple veterans certainly knows how to play.

For much of the album, Mosey’s guttural baritone underpins co-singer Jessica Cole‘s cut glass, soaring pipes – think Andrew Eldritch and Patricia Morrison in The Sisters of Mercy.

It’s a ploy that works well, adding an air of unease and tension, which contrasts with the slick musical arrangements.

The guitar-playing by Mosey and Kristofer Widholm is uniformly excellent – angular and spiky one minute, polished and funky the next.

The production too, is well thought out and pristine, though perhaps a little too smooth for these ears.

London Plane - Picture by  Alice Teeple
A Walk On The Wild Side – London Plane shot by Alice Teeple

Indeed there’s a sheen to many of these songs which can make them seem a bit cold and impenetrable – though that may well be the intended effect.

There are familar gothic tropes – ghosts, devils and the like – but plenty of surprises too.

The Bowie-esque Watch That Madman Go takes a pop at the rise of Trump and his ilk, while the title-track is an anti-war song with a difference.

There’s high-concept sci-fi on Homocosmos – the name of the next step in evolution, when humans reach out to unknown worlds.

While The Wish with its lovely Morricone-like spaghetti-Western chord progression, has lyrics which could have been witten by Terry Pratchett:Once there was a haunted hell/spinning on a tortoise shell’.

Best of all though is the wonderful Electric Clock. which sees the band at its most unhinged.

A full on cabaret show tune, it sounds like Peek-A-Boo by the Banshees, crossed with The New York Dolls, with a bit of Sally Bowles thrown in for good measure.

Much more of this kind of weirdness and London Plane’s next musical offering should make for a very intriguing prospect.

London Plane * Watch That Madman Go * OFFICIAL VIDEO

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