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Single Review: Eric Saade – Every Minute

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Eric Saade returns to Melodifestivalen and is in it to win it
This year marks the tenth anniversary of Eric Saade’s victory in Melodifestivalen (Sweden’s biggest annual music event and preselection for Eurovision). In 2011, he represented his country at Eurovision with the song ‘Popular‘ and finished in third place. In 2021, he is onto his fourth participation in Melfest (he also finished 3rd in 2010 with ‘Manboy‘ and 5th with ‘Sting‘ in 2015) with his brand new single ‘Every Minute’. Saade is in it to win it once more!

In past years, Saade mostly released music in Swedish, but for Melodifestivalen he switched back to English. He co-wrote ‘Every Minute’ with Jimmy ‘Joker’ Thörnfeldt and Joy and Linnea Deb, with Joy Deb producing. They created a heavily electronic pop song with a contemporary feel. The production is effective with its stripped bare beats and rich vocal effects. The main hook is simple and straight to the point, but that doesn’t make it any less addictive. The melodies are strong and the ‘oh nananana’ parts are guaranteed to keep playing over and over in the back of your head. In the lyrics, Saade sings about how he wants to be intimate with his partner every minute of the day, getting more explicit in the second verse when he mentions the neighbours being able to hear them. Cheeky!

Now ‘Every Minute’ is a hit worthy tune that wouldn’t be out of place in international charts, but what really elevates its chances in Melodifestivalen (and potentially Eurovision after that) is its outstanding stage performance. Eric being alone, dressed in white in front of a black backdrop, doing a quirky choreography is all that is needed to make this performance completely captivating. Sure, his vocals won’t be the strongest of the night, but he holds his own with the song. Although the bookmakers think Tusse will win Melodifestivalen, to me, everything about Eric’s song and performance scream winner. We will know who will represent Sweden at Eurovision when the Melodifestivalen final takes place on the 13th of March.

CHECK OUT MY REVIEW ON DOTTER’S ‘LITTLE TOT’ HERE.



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BBC Two to screen new documentary series, The 80s – Music’s Greatest Decade?

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Dylan Jones with Cookie Pryce (left) and Susan ‘Suzie Q’ Banfield (right). Image: Sebastian Barfield/Plimsoll Productions

BBC Two is to screen a major new documentary series about the pop music of the 1980s.

Starting Saturday 23 October, The 80s – Music’s Greatest Decade? is presented by journalist and author Dylan Jones.

The programme features contributions from Nile Rodgers, Mark Ronson, Jazzie B, Trevor Horn, Bananarama’s Sara Dallin & Keren Woodward, Gary Kemp, Mark Moore, Cookie Crew’s Cookie Pryce and Suzie Q, Bobby Gillespie, UB40’s Ali Campbell & Astro, The Fall’s Brix Smith, Sarah Jane Morris and more.

Lorna Clarke, BBC Controller, Pop, says: “I’m delighted that we’re going to dissect the impact and influence of the 80s decade, culturally – an experimental period of time that divides opinions hugely.”

Dylan Jones says: “Interminable television programmes still suggest the whole episode was nothing but a calamitous mistake, a cultural cul-de-sac full of rotten records by shameful individuals with orange skin and espadrilles. I’m here to tell you this couldn’t be further off the mark.”

In the first episode, Jones sets out his claim: that the 80s was the most creative musical decade ever. He’ll assert that the 80s, unlike other decades, was undefinable by monolithic musical movements such as punk, disco or Britpop, and unleashed a myriad of new musical genres in just 10 years. To support his theory, he’ll hear from some of the leading musicians and producers of the era, who were at the forefront of the incredibly diverse music creation.

Speaking in the programme, Nile Rodgers says: “The 80s was the pinnacle for a lot of us musicians who had come from the 60s and the 70s. Reaching that place you had this great explosion of artistry in the 80s that ran the gamut.”

Keren Woodward from Bananarama says: “You’d hear something and think, oh that’s Bananarama, that’s Culture Club, that’s Duran Duran – and everyone looked their own way as well.”

Episodes two, three and four will feature a mixture of archive performance and music video, handpicked by Jones, which explore themes including the MTV generation; the birth of hip hop, the emergence of house and the rise of the rebels, who deliberately eschewed all they believed to be ostentatiously 80s.

Some of the artists explored in the series include Madonna, Duran Duran, Eurythmics, The Sugarhill Gang, Public Enemy, Bronski Beat and Erasure.

The 80s – Music’s Greatest Decade? is produced by Plimsoll Productions. The Executive Producer is Siobhan Logue. It was commissioned by Owen Courtney, Commissioning Editor and Jan Younghusband, Head of Commissioning for BBC Music TV.

To accompany this series, on Friday 29 October, Radio 2’s weekly step back in time, Sounds Of The 80s with Gary Davies (Fridays, 8pm-10m), will see Dylan Jones share four of his favourite 80s songs and why they are so special to him, as part of Sounds Of The 80s regular feature, My 80s.

The 80s – Music’s Greatest Decade? begins on BBC Two at 8.55pm on Saturday 23 October.

Want more from Classic Pop? Try an issue for only 99p today. Click here for more details.

Dylan Jones (centre) with UB40’s Astro (left) and Ali Campbell (right). Image: Sebastian Barfield/Plimsoll Productions

Read more: The Story of the New Romantics

 

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Listen to “Made a Vow” by Millie Turner

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I haven’t written about Millie Turner in a while. She is a singer-songwriter who often surprises me with a banger of a track. That makes me sit up and take note. Like she has with the track, “Made a Vow“, released last Friday. She caught my ear alight with previous releases “She Was A Dancer“, “Night Running” and “January“. Basically, her style is eclectic, electronic dance music. Which makes her niche enough but not so left-of-field either. I totally missed, Millie teamed up with Dadi Freyr last year (how rude of me). They smashed a cover of Haddaway’s “What Is Love?”

Before Covid came along, she was generating some serious buzz. Managed some tour support opportunities, alongside Tove Lo before restrictions came into play, for what has felt like forever. With live shows now resumed, she has returned picking up the thread where she left off. Is back on stage getting those gigs in and just released the very, seriously shimmery electro-pop track “Made a Vow“. She sings about setting herself a goal and not allowing others to tell her otherwise or try to change her mind. Essentially it appears to be a song about steering her own ship and having command of her own destiny.

Listen on Apple Music

When listening to the track I could very much imagine it as something in the same lane as La Roux might enter into. Shimmery, choppy synths and both singers with recognisably distinctive voices. The style of this track feels a fit for both these artists. I really hope to see Millie Turner’s name added to many festivals and showcases next year. There is some time to make up but equally feel sure she is an emerging artist back on the ascent and fast-rising. I was stupid enough to not follow her closely enough, but I have realised my mistake. For me, Millie is a crucial new pop proposition for 2022. I am confident that we will be hearing from her a lot.

Connect with Millie Turner
Facebook: https://www.facebook.com/millieturnr/
Twitter: https://twitter.com/millieturnr
Instagram: https://www.instagram.com/MillieTurner/





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Watch “Stung” by TIN – EQ Music Blog

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Out, with a new, track “Stung“, today (because, believe it or not, Adele is not the only one dropping new music today) is the Australian pop singer-songwriter TIN. After covering several releases by TIN on the blog, I have noticed he is an artist who thrives on creativity. Someone who is always looking for a way to change things up and give his audience something different. And yet, authentically rooted in queer intentions. More often than not, this means we have gotten to see TIN dress-up as a way of portraying various characters. (Or dress down to his Andrew Christian briefs as in the video for “Firm“). Supporting the release of “Stung” he’s taken his biggest artistic step yet.

You know, watching RuPaul’s Drag Race UK season 3, I had been convinced into thinking Choriza May or River Medway were the new queens for me this season. But that was before I caught sight of the foxy lady in pink who appears in the TIN’s “Stung” video. The name of this stunner?… it is TIN (but I think she requires a drag name so I’m putting ‘Tin Ahh Glitter‘ out there as a suggestion). Who garbs up in drag alongside some of the fiercest queens London has to offer. Polka Dot, Le Fil, Coco Couture and JVST TINA. Visions of loveliness who exude the same BETTER big drag energy of the kind we were introduced to last night on the latest episode of RuPaul’s Drag Race UK

Listen on Apple Music

Stung” is a song of substance as well as fizzing with B.D.E. because of the video… TIN explains the track further…

Stung” is about not being underestimated and not putting up with other people’s rubbish. I wrote it after a night out at a trashy club in Brisbane, having met so many gay men who were taking themselves way too seriously. I get exhausted by people who are arrogant with nothing to show, and I wanted to write something a bit tongue in cheek about the experience.”

Sure to catch on quick, is the buzzy refrain “you betta watch out or you’ll get stung” . Practice, practice, practice this, girlfriends, TIN wants you, word perfect for EQ Music Live next Saturday 23rd October – Ticket details HERE

Connect with TIN
Facebook: https://www.facebook.com/tinofficialmusic
Twitter: https://twitter.com/tinofficialau
Instagram: https://www.instagram.com/tinofficialmusic/





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