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Watch “Distorted Light Beam” by Bastille

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Will you be mad for the brand new Bastille track “Distorted Light Beam” or nah? If you’re expecting a broodily gloomy indie-pop offering this time, you may be a tad disappointed. Then on the other hand, if I were to inform you Dan Smith and his band mates have ventured into the electronic realm, proper, (and owing to our preference for electronic pop coverage on the blog) you’d be somewhat intrigued to find out more, am I right?

While it is not unlike the band to have a smattering of electronic elements sprinkled into their oft doomy offerings, there is always a background note of indie stylings most prevalent for Bastille (one of the world’s most-streamed bands). Never before have they ventured so directly into the electronic-pop genre. But this gear change was always on the cards because on previous albums they’ve dabbled in R&B, Dance, Rock, Gospel and House music. So where else was left for them to go? Electronic pop was, therefore, the obvious choice, wasn’t it?

Listen on Apple Music

Speaking with Annie Mac, while premiering as Hottest Record in The World. Dan said, melodically and sonically the track nods someway towards the French disco style. While giving a little hint about Bastille’s fourth album being inspired by ideas of the future, our relationships with technology, our devices and the internet. Exploring the endless possibilities and also the dark side of the digital, web life. The latter being addressed in the Ryan Tedder co-written and co-produced offering “Distorted Light Beam” and supporting Jak Payne directed video.

The single artwork, Dan has been using everywhere to tease the track release, has a very cool look about it. It gives off electronic vibes, with hopefully more of the like, promised for the album due out later this year. A band of Bastille’s stature embracing electronic pop can only be a good thing for this often blindsided branch of electronica. When everyone else in pop has had a disco record out, Bastille was never going to follow in the footprints left by Dua, Jessie Ware or Kylie. No, Dan, Kyle, Will and Woody (Bastille) were always going to go harder better, faster, stronger. The reference to Daft Punk intended, because of the nice bit of vocoder homage that finds its way into the track. You know, how Daft Punk was always rumoured to play a secret gig at SXSW, like every year and now they’ve broken up, for good. Well, next year (god willing) Bastille could very well step up and give the festival-goers in Austin their version of Daft Punk realness instead. (Far more of a possibility than Daft Punk ever was).

Connect with Bastille
Facebook: https://www.facebook.com/bastilleuk/
Twitter: https://twitter.com/bastille
Instagram: https://www.instagram.com/bastilledan/





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Listen to (Feels Like) “Heaven” (Fiction Factory Cover) by Roosevelt

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Should you be searching for a thoroughly decent indie electronic-pop album to wrap your ears around at the moment. A good one to look at that might have skipped your notice is “Polydans” by the German producer Roosevelt. In comparison to his first two albums. I haven’t spoken an awful lot about “Polydans“, his third one (released in March). Let me share some feedback on it now. This release locks in with spirit of the 80s. Production-wise, the album remains consummate in its entirety. And the body of work is unskippable throughout. With the stats totted up, streaming figures suggest the track “Strangers” has proved most popular. I am sticking with calling out my first choice, “Sign“, as a standout, that I wrote about on the blog.

The reason why I am writing about Roosevelt today isn’t to share a quick outline of the latest album. I wanted to bring his sparkly cover version of the Fiction Factory, 1983, top 10 chart-topper track (Feels Like) “Heaven” to your attention which appears as a bonus track on the Deluxe Edition.

Listen on Apple Music

According to the internet, there have been 18 recordings of (Feels Like) “Heaven” by different artists. Roosevelt’s glittery, upbeat makeover comes in as #19. What I like about the new interpretation of the song it is significantly different in style to the darker new-wave vibes found on the original Fiction Factory edit.

I think the Roosevelt version of the track will go down a treat when played live. He starts a US tour next week and will eventually snake it’s way over to Europe next year.

(Feels Like) “Heaven” is out now – Find it ONLY on the deluxe edition of “Polydans“. (One of 8 bonus tracks)

Connect with Roosevelt
Facebook: https://www.facebook.com/iamroosevelt
Twitter: https://twitter.com/iamroosevelt__
Instagram: https://www.instagram.com/roosevelt_music/





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Listen to “Sweet Talker” by Years and Years and Galantis

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The thing about Galantis is. I pretty much know what to expect from the Swedish dance hit-makers because their signature sound is easily identifiable. The thing with a Years & Years and Galantis collaboration is. I pretty much can guess how it will pan out musically as well. Had they not delivered a bona fide dance banger like “Sweet Talker” is. I may have needed to send them over some serious questions. What I do like, though, on Years and Years part. The upcoming album “Night Call” seemingly, covers more ground in a music sense than the previous projects. Because as I have noticed with the singles to date. “Starstruck“, “Crave“, and now “Sweet Talker“, the styles explored differ vastly.

I am the kind of music listener who likes to play dance tracks in the winter months to help keep the winter blues at bay. Therefore, I am happy, “Sweet Talker” is the euphoric, fist punching anthem I was hoping for. I am also glad that the track includes a big orchestral arrangement by way of embellishment. Without this, it may have sounded too similar to Whigfield’s seminal bop “Saturday Night“, methinks.

Listen on Apple Music

It genuinely pleases me both the lyrics and narrative of the track are self-explanatory. There is a time and a place for tracks steeped with lyrical depth. “Sweet Talker” just isn’t one of them. It’s a dance track, through and through, of the kind that needs to be played turned up loud. That is all.

If you were looking for some exciting Years & Years news. Olly has exclusively revealed in an interview with Radio One DJ Clara Amfo. (In a chat during “Sweet Talker” premiere as Hottest Record In The World) He will be hosting this years’ New Year’s Eve celebrations on the BBC. (In previous years, there have been special live concerts from Queen and Adam Lambert, Robbie Williams and Gary Barlow.) Olly teased he will be counting us down to midnight playing Years & Years tracks (duh!) and some covers. There will be some extra special guests making an appearance also.

This, New Years Eve. With Years & Years on the television I have no reason to go out. I will definitely need to get some special snacks in, though.

Years & Years third album “Night Call” comes out via Interscope Records on January 7th, 2022. – Pre-order HERE

Connect with Years & Years
Facebook: https://www.facebook.com/YearsAndYears
Twitter: https://twitter.com/yearsandyears
Instagram: https://www.instagram.com/yearsandyears/

Connect with Galantis
Facebook: https://www.facebook.com/wearegalantis
Twitter: https://twitter.com/wearegalantis
Instagram: https://www.instagram.com/wearegalantis/





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NOW That’s What I Call Electronic coming this January

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NOW That’s What I Call Electronic
NOW That’s What I Call Electronic cover

Synth-pop fans rejoice, as NOW have announced a major 78-track 4CD compilation of the very best in electronic music.

NOW That’s What I Call Electronic will feature songs from artists such Queen, Blondie, Duran Duran, Eurythmics, ABBA and more.

The album showcases, it says, “the emergence of synth-pop as a dominant sub-genre of new wave”. 

Containing such classic tracks as Visage’s Fade To Grey, Japan’s Quiet Life, Ultravox’s Vienna through to OMD’s Enola Gay and Paul Hardcastle’s 19, it promises to be a comprehensive history of synth-pop.

NOW That’s What I Call Electronic is released 7 January 2022.

Read more: The story of That’s What I Call Music

NOW THAT’S WHAT I CALL ELECTRONIC 4-CD SET TRACKLISTING

CD 1

  • Queen – Radio Ga Ga
  • New Order – Blue Monday                  
  • Eurythmics, Annie Lennox, Dave Stewart – Love Is A Stranger
  • Ultravox – Vienna 
  • Visage – Fade To Grey
  • Japan – Quiet Life
  • Soft Cell – Tainted Love
  • The Human League – The Sound Of The Crowd
  • Duran Duran – Planet Earth
  • Spandau Ballet – To Cut A Long Story Short          
  • Gary Numan – Cars
  • Orchestral Manoeuvres In The Dark – Enola Gay
  • Landscape – Einstein A Go-Go
  • Tears For Fears – Mad World
  • Heaven 17 – Temptation
  • Blancmange – Living On The Ceiling
  • Fiction Factory – (Feels Like) Heaven
  • The Lotus Eaters – The First Picture Of You
  • A Flock Of Seagulls – I Ran (So Far Away)
  • Yello – The Race

CD 2 

  • Donna Summer – I Feel Love (12” Version)
  • Chaka Khan – I Feel For You 
  • Freeez – I.O.U. 
  • Shannon – Let The Music Play 
  • Company B – Fascinated                           
  • The S.O.S Band – Just Be Good To Me
  • Nu Shooz – I Can’t Wait                            
  • The Pointer Sisters – Automatic 
  • Man 2 Man – Male Stripper
  • Patrick Cowley feat. Sylvester – Do You Wanna Funk
  • Liza Minnelli – Losing My Mind
  • Eighth Wonder – I’m Not Scared
  • Animotion – Obsession
  • Trans-X – Living On Video 
  • Dazz Band – Let It All Blow 
  • Harold Faltermeyer – Axel F (From “Beverly Hills Cop” Soundtrack)
  • Art Of Noise – Close (To The Edit) 
  • Malcolm McLaren – Buffalo Gals 
  • Joe Jackson – Steppin’ Out

CD 3

  • ABBA – Gimme! Gimme! Gimme! (A Man After Midnight)
  • Blondie – Atomic 
  • The Buggles – Video Killed The Radio Star
  • M – Pop Muzik
  • Paul Hardcastle – 19
  • Falco – Rock Me Amadeus (The American Edit)
  • Phil Lynott – Yellow Pearl (First 7″ Remix)
  • Kim Wilde – Kids In America
  • Altered Images – Don’t Talk To Me About Love
  • a-ha – Take On Me
  • Philip Oakey & Giorgio Moroder – Together In Electric Dreams
  • Howard Jones – New Song
  • Nik Kershaw – Wouldn’t It Be Good 
  • Limahl – Never Ending Story  
  • Thompson Twins – Love On Your Side
  • Men Without Hats – The Safety Dance
  • Kon Kan – I Beg Your Pardon (I Never Promised You A Rose Garden)
  • Peter Schilling – Major Tom (Coming Home)
  • Midge Ure – If I Was 
  • China Crisis – Christian
  • Jan Hammer – Crockett’s Theme (From “Miami Vice II” Soundtrack)

CD 4 

  • Dead Or Alive – You Spin Me Round (Like A Record) (Performance Mix)
  • The Human League – Love Action (I Believe In Love)
  • Propaganda – Dr Mabuse
  • The Cure – The Walk 
  • Joy Division – Love Will Tear Us Apart                    
  • Orchestral Manoeuvres In The Dark – Messages
  • Our Daughter’s Wedding – Lawn Chairs
  • Iggy Pop – Nightclubbing
  • Bronski Beat – Smalltown Boy
  • Erasure – Drama!
  • Scritti Politti – Absolute
  • The Associates – Party Fears Two
  • Furniture – Brilliant Mind
  • Talk Talk – It’s My Life                               
  • Simple Minds – Glittering Prize 
  • Swans Way – Soul Train
  • The Passions – I’m In Love With A German Film Star
  • Soft Cell – Say Hello, Wave Goodbye

 

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