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Watch “Mistress Violet” by Violet Chachki and Allie X

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RuPaul Drag Race Series Seven winner Violet Chachki and Allie X first teamed up on the Canadian alt-pop singer-songwriters 2016 track “All The Rage“. A spicy offering where Violet role-played as Allie X’s alter ego in the Jungle George and Maluko Haus visual. Perhaps it has always been inevitable that these artists would at some point come together again. Anyways, the six-year wait has flown by. I am more than happy to see their next joint effort, unapologetically decked out in 80s inspired couture. As much as the track “Mistress Violet” heavily features synths, robot pop and vaporwave stylings.

When these two artists collaborate together, it is broadly assumed they will kit themselves out in high fashion garments. Couture looks are everything for these two (in this instance, Schiaparelli). The sharper the clothes, the better, as long as there is a designer tag attached. The track “Mistress Violet” has acutely provocative tendencies. It is like a duel between two personalities. As to who gets to be the dominant half of the powerfully commanding, musical coupling. They spar with one another, but really, neither are about to submit because the thrill exists in seeing how far these bitches can push each other.

Listen on Apple Music

As far as the song goes, the synths appear similarly modelled in vintage Kraftwerk or David Sylvian like stylings. There is a strong sense that there is a penchant for all things avant-garde. The nostalgia vibes and aesthetics are strong. Everything about “Mistress Violet” screams peak 80s. And I have absolutely no problem with any of that. Make no mistake, this collab is Violet Chachki and Allie X having the best of fun. While indulging in complete escapism. Hands down, an empowering serve.

Connect with Violet Chachki
Facebook: https://www.facebook.com/VioletChachkiOfficial/
Twitter: https://twitter.com/VioletChachki
Instagram: https://www.instagram.com/violetchachki/

Connect with Allie X
Facebook: https://www.facebook.com/alliexxxxandra/
Twitter: https://twitter.com/alliex
Instagram: https://www.instagram.com/alliex/





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Elton John announces new feature-length documentary

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Farewell Yellow Brick Road Tour
Farewell Yellow Brick Road Tour poster

A brand new documentary telling the story of Elton John’s Farewell Yellow Brick Road Tour as well as the singer’s early years has been announced.

The generously-titled Goodbye Yellow Brick Road: The Final Elton John Performances And The Years That Made His Legend has been co-directed by RJ Cutler (The Oval Office Tapes, The War Room) with John’s partner, David Furnish. The feature-length documentary promises to include previously unseen concert and behind the scenes footage.

“What a thrill and an honour it is that David Furnish and I get to create this intimate and unique look at one of the world’s most celebrated artists,” Cutler told Rolling Stone. “As it has for so many others, Elton John’s music has had deep meaning for me for decades, and this opportunity is nothing short of a career highlight and privilege.”

“Elton and I could not think of a better collaborator than RJ. Cutler for a film that represents more than just Elton’s career – it’s his life,” Furnish added. “From the Troubadour to Dodger Stadium, we knew that RJ would help guide Elton’s story and its many layers in a way that feels authentic and evocative. We’re ecstatic to be working together.”

A release date for the documentary has yet to be announced, but it’s expected to get a limited cinema release before heading to streaming service Disney+.

Read more: Top 40 Elton John songs

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Listen to “This Hell” by Rina Sawayama

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Recent days have seen much talk about it. Last night pop’s brightest star Rina Sawayama launched her new era with “This Hell.” The first taster of her upcoming second album, “Hold The Girl” (releasing 2nd September via Dirty Hit). Debut album “Sawayama” saw much critical acclaim. A pivotal release, not least because of the diversity of music styles covered. Rina was initially denied eligibility for The Brits and The Mercury Prize because she is not a British citizen but has lived in the U.K. since she was a child. With the success of the album these rules changed.

Rina just literally wrapped up the stateside leg of “The Dynasty Tour” in New York. The next hot minute, the follow-up era begins.

“I’m so excited to finally share the first song of the new era, I wrote and produced this last year with Paul Epworth, Lauren Aquilina, Clarence Clarity and Vic Jamieson in a converted church. I wanted to write a western pop song that celebrated COMMUNITY and LOVE in a time when the world seemed hellish. “This Hell” is better with you.” Rina said over Instagram.

Listen on Apple Music

I love Rina’s pop chameleon ways and that we never quite know what comes next with her or the music. Although, rest assured the stylizing will be immaculate. True to form, “This Hell” when premiered last night as Hottest Record In The World on Radio One with Clara Amfo. Is another masterclass in hybrid pop, Sawayama does so expertly well.

Sawayama soaks up musical influences like a sponge. Nowhere is this more abundantly transparent than in the song “This Hell“. The outer shell of the track looks to Shania Twain, country pop and Lady Gaga for inspiration. On which Rina further adds her own power-pop twist and unshakable hook. Her pop-culture referencing in the lyrics is strong.

Flame red carpet moment. Posing for the paparazzi. Fuck what they did to Britney To Lady Di and Whitney.” She sings.

Despite their attempts to shield her from success, they soon turned about when realising, that Rina is incredibly worthy and shaking up pop like no one else. Coming out the gate fast with “This Hell“, is Rina reissuing a statement of intent. Rina Sawayama is game on!

The album “Hold the Girl” comes out via Dirty Hit on September 2nd – Pre-order HERE

Also revealed is a brand new UK and Ireland tour, for this October and including a show at London’s O2 Academy Brixton.

Exclusive first ticket access starts Wednesday 25th May – 10 am details HERE

General sale starts Friday 27th May – 10 am details HERE

Connect with Rina Sawayama
Facebook: https://www.facebook.com/rinasawayama
Twitter: https://twitter.com/rinasawayama
Instagram: https://www.instagram.com/rinasonline/





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Watch the video for the new song from Betty Boo, Shining Star

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Betty Boo Shining Star
Betty Boo Shining Star

Betty Boo has shared the video to her new song, Shining Star.

The track is the singer’s second release after her triumphant comeback back in January with Get Me To The Weekend, her first single in nearly 30 years.

Betty Boo (real name Alison Clarkson) broke through in in 1989 when she appeared as a guest vocalist on The Beatmasters’ No.7-charting Hey DJ – I Can’t Dance (To That Music You’re Playing). Under her own moniker, she released two albums, 1990’s Boomania and 1992’s GRRR! It’s Betty Boo, and enjoyed a No.3 smash with Where Are You Baby? and a No.7 hit with Doin’ The Do.

Speaking to Classic Pop in 2019 about her stage name, she explained that it came about because of certain haircut that made her look like 1930s cartoon pin-up Betty Boop.

“That’s when I started keeping that name,” she told us. “It seemed fine, cos when you’re a rapper you need to have a persona. I just decided to drop the ‘p’ because I didn’t want to get sued.”

In 2006 she formed the shortlived duo WigWam with Blur’s Alex James, though they released just one self-titled single before disbanding.

“I met Alex at the Groucho Club and we just got on,” Clarkson said. “Blur were working with Ben Hillier on Think Tank and Ben’s a brilliant producer, he thinks outside the box. I think we wanted to make it into a project, but nothing quite gelled because, to be honest with you, Alex is a really good bass player in his group, but not necessarily a songwriter, so there wasn’t enough for us to make it work as a proper project. So it was just a bit of fun really. 

“Alex and I did argue a bit, we’re a bit like brother and sister. He’d want cars picking him up, whereas I would go I’m driving myself somewhere! That was the way Blur were treated, like royalty, whereas I’m probably a bit more down to earth.”

You can read Classic Pop’s 2019 interview with Betty Boo here.

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