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Why Miley Cyrus’ ‘The Climb’ Lost Its Grammy Nomination

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Miley Cyrus dusted off her 2009 hit “The Climb” last week for her Pride 2021 concert special, Stand By You, and it got us thinking about the iconic song.

In fact, there’s one thing about “The Climb” that many Hannah Montana fans may not even realize: Did you know that the song was once briefly nominated for a Grammy? But wait, there’s more: Not only was it nominated, but that nomination was rather controversially and abruptly rescinded!

It all started when “The Climb” earned a nod for Best Song Written for a Motion Picture, Television or Other Visual Media at the 2010 Grammy Awards. After all, Hannah Montana: The Movie had been a bona fide hit in the summer of 2009, earning more than $155 million worldwide at the box office.

The moment would’ve marked Cyrus’ first-ever Grammy nomination, but alas, it was not meant to be.

Soon after nominations were announced, it came to everyone’s attention that “The Climb” wasn’t written specifically for the Hannah Montana film. In actuality, it was written as a spiritual song by Jessi Alexander and Jon Mabe. Originally called “It’s the Climb,” Alexander and Mabe shopped the song around, and eventually it landed at the Walt Disney Company, who gave it to Cyrus to be used on the at-the-time upcoming Hannah Montana: The Movie film soundtrack.

In light of the revelation, the track never should’ve been in contention in the soundtrack category at the Grammys to begin with, and according to Rolling Stone, had been submitted by mistake. Cyrus’ team ultimately withdrew it from consideration.

The resulting void left room for Karen O and the Kids’ “All Is Love” from Where the Wild Things Are to swoop in and take the place of “The Climb,” which director Spike Jonze announced on his blog the following week.

By the time the actual ceremony rolled around a few months later, the dust-up about “The Climb” was all but forgotten. Karen O’s track was beaten by “Jai Ho” from Slumdog Millionaire, and Cyrus would eventually go on to be nominated for a Grammy for Pop Vocal Album in 2014 for her hit album Bangerz.

Disney Stars Then + Now





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Silk Sonic Wants You To Groove With “Skate”

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Silk Sonic has finally released its second single, and it was worth the wait. The duo of Bruno Mars and Anderson .Paak have delivered another dose of ’70s nostalgia with “Skate,” the perfect follow-up to their chart-topping “Leave The Door Open.”

After releasing their first single, Silk Sonic performed on several awards shows and specials and were nominated for three BET awards. They’ve even teased a full album, An Evening with Silk Sonic could be coming at any moment.

Until that album drops, though, we’ll have to take what we can get and “Skate” delivers. A funky and smooth tune, you’ll have it on repeat on your Spotify all day long. Check out the new track below and, as always, make sure to let us know what you think!





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Neil Nathan – ‘You’re My Lady’  – Essentially Pop

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Throughout his career, Neil Nathan has been compared to great artists on the regular. And they’re a diverse bunch too: Dusted says he reminds them of Cat Stevens; Skope likens him to the big three: Beatles, Dylan, and Cohen. Surviving The Golden Age goes further and says his music is imbued with the spirit of Roger Waters, and Bruce Springsteen; while Blogs N Roses invokes two ends of the spectrum in The Kinks, and Neil Young. Even more diverse is Powerpopaholic’s comparison of Nathan’s soulful, high energy songwriting to that of Matthew Sweet, and Jeff Tweedy; while No Ripcord pulls no punches in pronouncing Neil Nathan to be “the bastard stepchild of Jackson Browne and David Bowie”.

That’s some mighty big boots to be stepping into.

But listen to Nathan’s songs, and you’ll instantly know why he elicits such comparisons. He has a classic style about him in every aspect – from his songwriting, deep understanding of the storytelling art, his powerful lyrics, his pleasant and versatile voice, his guitar, with its warm tones, and his talent for timing.

His latest single, ‘You’re My Lady’, a joyous celebration of love and togetherness, feels readymade for easygoing radio; there’s a familiarity about it, it could easily be a 70s FM radio classic high rotation track. It’s a pop-rock standard right from the outset.

The lyrics to ‘You’re My Lady’ tell the story of a man who travels through dangerous terrain, just to get to the woman he loves. His lady. The video takes the frank, forthright, and homespun lyrics one step further, and we see Nathan dressed in a spacesuit, wandering through the desert. Soon enough, he’s performing, helmet and reflective clothing still on, in front of computer animated graphics, strumming his acoustic guitar, while otherworldly landscapes flash by behind him. In one glorious scene we see the earth rise before him, as he roams across a barren moon.

Watch the video for ‘You’re My Lady’ below, and keep up with Neil Nathan and his music by way of his official website.



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Wolf Rd – ‘As Good As It Gets’ – Essentially Pop

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Chicago quartet Wolf Rd have been hometown heroes right from the start of their career, and when they celebrated the launch of their 2019 debut EP, ‘Nowhere Around You’, the show was sold out.

Wolf Rd are still releasing singles from the EP, complete with music videos, along with high energy performances in the Chicago area, which have seen them share the stage with national touring acts, and ensuring their position as one of the Windy City’s most loved local bands.

Made up from Chris Hoffmann (vocals), Nick Hoffmann (drums/additional instrumentation), Geoffrey Duckmann (guitar), and Devin Stone (bass), Wolf Rd blend the signature anthemic melodies and passion of pop-punk instrumentation more familiar to fans of metal; suffice to say they’ve created a sound that is both unique and genre-inclusive. They’ve drawn comparisons with All Time Low, and State Champs, for their harmonic vocals, while their energy sees them likened to Neck Deep, and their raw emotion calls to mind that of their Chicago compadres, Knuckle Puck, and Real Friends. Wolf Rd’s cathartic songs are ideal to get those feelings out, no matter where you’re screaming the lyrics – whether that be the basement of a local club, or through your speakers or headphones at home.

‘As Good As It Gets’, from their new EP, ‘Counterpoint’, shows fans a more mellow, delicate side of the band. Produced, engineered, mixed, and mastered by Roye Robley, the track features acoustic guitars, and sweet harmonies, as well as a guest vocal from Sylvia Mendez. Explaining that break-up songs don’t have to be nasty or violent in order to share the pain, Chris Hoffmann says,

“One thing that was really important to me was that I didn’t want this song to be one-sided. I’m far from perfect, and when things fall apart, both sides usually share some of the blame.”

The video for ‘As Good As It Gets’ starts with the aftermath of a birthday party. A “Happy Birthday Bartley,” banner proclaims its intent, along with torn streamers and empty beer bottles, casually strewn around a backyard. The scenes of the clip perform as a metaphor for the rollercoaster relationship outlined in the song; we see both sides, from the sweet, intimate moments to the heated arguments and the dramatic end. But the memories – just like the remnants of a party, are still there to haunt you.

Watch the clip for ‘As Good As It Gets’ below, and find out more about Wolf Rd and their music online, by checking out their official website.



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